Master of the loom

At work, mechanical engineer Donald Sandoval designs nuclear weapons. At home, he weaves tapestries—and thinks about nuclear weapon design.

October 1, 2018

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A fifth-generation weaver, Donald Sandoval dyes his wool with natural pigments and weaves on a loom made by his father. Credit to: Los Alamos National Laboratory
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Donald Sandoval of Los Alamos National Laboratory's Primary Physics group stands before a loom made by his father and weaves a tapestry. The weaving process itself is not too complicated but does take time, so Sandoval’s mind tends to wander. His thoughts often venture to his day job as a mechanical engineer supporting the Laboratory’s national security mission. Sandoval says he has often solved complicated engineering and mathematical problems while working at the loom.

More than 30 years ago, Sandoval earned a bachelor’s degree in electrical engineering. While working on his undergraduate degree, Sandoval secured an internship at Los Alamos under noted theoretical physicist Frank Harlow. Harlow introduced Sandoval to the  field of computational fluid dynamics, and Sandoval was hooked.

“I finished my undergraduate degree at New Mexico State University, but even at that time I found myself more interested in mechanical engineering because of my work with Dr. Harlow,” Sandoval explains. “For my master’s and doctorate, I switched to mechanical engineering. I focused my dissertation on fluid mechanics, and it’s something that I continue to explore to this day.”

Science for national security applications

Sandoval’s father worked at the Laboratory for more than 30 years in one of the old computing groups in what’s now the High Performance Computing Division. Growing up, Sandoval knew about the Lab’s principal mission, and as he grew older he wanted to contribute to ensuring America’s national security. Once he earned his Ph.D., Sandoval joined the Laboratory as a full-time staff member, getting his chance at last to make his contribution.

“I work in the Primary Physics group, which performs analyses related to stockpile stewardship,” Sandoval says. “I mostly work with legacy designs. Right now, I lead the primary physics effort to rebuild the primary in the W88 Alt 370 program—these nuclear warheads are deployed on the U.S. Navy’s submarine-launched ballistic missile system.”

Sandoval believes that a combination of education and experience enables him to remain essential to the Laboratory for more than 30 years now. In addition to his formal education, Sandoval cites his work with Harlow as a critical influence. Sandoval was also one of the first graduates of the Laboratory program known as TITANS, the Theoretical Institute for Thermonuclear and Nuclear Studies. TITANS’s goal is to sustain the cadre of nuclear weapons scientists who are well grounded in nuclear weapon science, design, and analysis.

“I would say that I harness my understanding of the physics and engineering associated with nuclear weapons every day that I am on the job,” Sandoval notes. “Long ago, I was an intern learning from Frank Harlow. Today, I share my experience to help others achieve key milestones and mentor the group’s younger members so that they can also contribute to the Lab’s mission.”

Fifth-generation weaver

Before going to graduate school at the University of Washington, Sandoval did not have a full understanding of his family’s artistic background.

“I knew my family had been in northern New Mexico for several generations, with my grandparents growing up in Truchas,” Sandoval says. “My first year of graduate school I was pretty lonely, as I did not know anyone. These were the days before the internet, so I went to the library and started researching New Mexico. It was during this research that I discovered the involvement of my family in the arts, particularly with the works created by the santeros.”

Sandoval found that his own grandfather had been Hermano Mayor (Major Brother) for the Truchas Penitente Morada, that his grandmother had been a weaver, and that his own father built weaving looms. Excited by all this newfound knowledge, Sandoval began to spend his summers in New Mexico learning from his father how to weave on the loom, dye his own wool with naturally made pigments, and even paint retablos (devotional paintings of Roman Catholic saints).

“I’m a fifth-generation weaver,” Sandoval says, “and now I am teaching my youngest daughter how to weave so that she can carry on the tradition.”

Sandoval today is known at the Santa Fe Spanish Market for tapestries with bold colors and design elements grounded in tradition but also with a modern flair. He has participated in the annual Spanish Market since 1994, winning numerous awards and selling various pieces to museums that span from Santa Fe to England.

When it comes to the arts and the sciences, Sandoval notes that one common thread between them is what he calls the mathematics of design.

“It’s about patterns,” he says. “Rather than think in terms of pure mathematics, I am able to touch upon the creative side of problem solving. I then use that side of my thinking process and apply it to any technical challenges at work. I usually analyze the technical patterns from a creative perspective and that in turn helps me come to a creative yet science-based solution.” ★

 

Sandoval Harlow
Frank Harlow (left) and Donald Sandoval in 1987.
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